Tributes - Retrospectives - Cinema on cinema
| 114 minutes | 1998
A village deep in the New Hampshire forest, a world-weary police officer, a dishonest businessman, a union leader’s suspicious death. Those are the ingredients for this riveting cop drama by a Paul Schrader at his creative peak. Staying true to Russell Banks’ carefully crafted world – the film is an adaptation of the eponymous novel – Affliction posits that violence, when it drives the interactions of a family in perpetual conflict, spares no one. An unforgettable descent into hell, capped with an immeasurable, full-frontal burst of anger. Brutal.Special 35 mm screening Director Paul Schrader will be present
Oscar Best actor in a supporting role - James Coburn - Academy Awards 1999
Although his name is often linked to that of the "movie brat" generation (Steven Spielberg, Martin Scorsese, Francis Ford Coppola, George Lucas, Brian De Palma, etc.) Paul Schrader's background couldn't have been more different than theirs. His strict Calvinist parents refused to allow him to see a film until he was 18. Although he more than made up for lost time when studying at Calvin College, Columbia University and UCLA's graduate film program, his influences were far removed from those of his contemporaries--Robert Bresson, Yasujirô Ozu and Carl Theodor Dreyer (about whom he wrote a book, "Transcendental Style in Film") rather than Saturday-morning serials. After a period as a film critic (and protégé of Pauline Kael), he began writing screenplays, hitting the jackpot when he and his brother, Leonard Schrader (a Japanese expert), were paid the then-record sum of $325,000, thus establishing his reputation as one of Hollywood's top screenwriters, which was consolidated when Martin Scorsese filmed Schrader's script Taxi Driver (1976), written in the early 1970s during a bout of drinking and depression. The success of the film allowed Schrader to start directing his own films, which have been notable for their willingness to take stylistic and thematic risks while still working squarely within the Hollywood system. The most original of his films (which he and many others regard as his best) was the Japanese co-production Mishima: A Life in Four Chapters (1985).
Entering the envelope of life floating within its many layers.
UNITED STATES | 114 minutes | 2017
I Am Always Connected is about the inseparable connections between the mind and the body, light and dark, and the camera and its subject. The film was shot...
CANADA | 114 minutes | 1984
Common Spaces, veiled through distances of varying sorts,Living within the constraints of our fixed positions....
UNITED STATES | 114 minutes | 2018
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