Ephemeral traces of nothingness. rotoscoped farmers, crumbling churches and dying memories as hand-painted layers, decay & collage on film emulsion as incidental traces of nothingness. A work that is aware of its own mechanisms.
| 7 minutes | 2016
Using open exposure photography, light painting, light table animation, paper animation, hand drawn animation and more, we discover that everything turns and everything feels the deep score of time.
| 13 minutes | 2016
In the vastness of things, a monstrous orchestra, a voice crying, and the earth that still stands, in a huge wave.
| 10 minutes | 2015
Next to gambling, Las Vegas primarily brought electricity and light into the darkness of the Nevadan desert. A symphony of electric smog resounds, while the light seems to have flowed out of the images.
| 13 minutes | 2015
A collage more than a diary, using images as artifacts. Sounds often come from other rooms, altered by their distance and the spaces that they have come through, just as the images themselves reflect the history of their own alterations.
UNITED STATES, Canada
| 10 minutes | 2016
The film was shot around Rio Catatumbo in Venezuela. It examines the dialectics of opposites in a meditative and somewhat minimal audio-visual excess.
| 15 minutes | 2016
An intimate view of the studio of American composer Laurie Spiegel (1945), known for her electronic-music compositions and her algorithmic composition software.
| 8 minutes | 2016
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