Film events and Master Classes
| 120 minutes | 1975
In a class by itself, the cult film poem that is India Song invents “a new way of saying things.”1 Quintessential Durassian cinema. In the languid days of 1930s colonial India, the tale of a French diplomat’s wife and her many suitors. Their story is told out of sequence by a concert of voiceovers. The heavy torpor of the monsoon-laden atmosphere is underscored by Carlos d’Alessio’s throbbing, unforgettable score and the sublime lassitude of Delphine Seyrig’s inimitable voice. To enter this waking dream by the author and screenwriter of Hiroshima, mon amour is to be consumed by Asian otherworldliness, high society and memory1 Perreault, Luc. « Marguerite Duras et ses voix », La Presse, 17 sept. 1977.
A feature built on the intimate, existential journey of a young Bohemian. The film launched the career of the famous Québécois director and...
CANADA | 120 minutes | 1995
QUéBEC/CANADA | 120 minutes | 2017
A visual and musical fusion fuelled with poetic and political solar energy. Our favourite Montreal quartet scores a controversial, erotic, and fantastic...
FRANCE , Canada , Germany | 120 minutes | 1974
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