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Being Fucked Up (The Beauty Never Ends: Emily Vey Duke and Cooper Battersby)

Cooper Battersby | Emily Vey Duke | Canada | 2001 | 10min | Original version without dialogue

 
 
Box office13 oct. 19:00Session 82

Centre PHI Espace B

407, rue Saint-Pierre, coin Saint-Paul, Vieux-Montréal

Synopsis :

"This ordinary life is hopeless. I have no mission or strong conviction. It seems like everything I find beautiful is crying about this hopelessness, and about the irreducibility of being alone. I wish I was a pervert with something inside me that burned and could never be made manifest. My secrets are so boring. I don't believe in art or socialism. I am bitterly jealous of people who are good or successful. I think romantic passion is by nature fleeting. I lie to my mother. I hate myself..." So begins the Robot in Duke and Battersby's "Monologue for Robots", part of their ten minute episodic videotape Being Fucked Up. The work incorporates simple animation and live action sequences to create a portrait of the artist's lives as they struggle with addiction, gender identity and alienation. Ultimately hopeful, Being Fucked Up touches on central human themes through a use of narrative which is unconventional yet intelligible, spontaneous yet precise.

The Beauty Never Ends: Emily Vey Duke and Cooper Battersby (4 films)

A PROGRAM OF SHORT MOVIES BY EMILY VEY DUKE AND COOPER BATTERSBY, CURATED BY MIKE HOOLBOOM At the occasion of the launching of the book The Beauty Is Relentless: The short movies of Emily Vey Duke and Cooper Battersby edited by Mike Hoolboom. The literary post-punk short films of Emily Vey Duke and Cooper Battersby have been tearing up the festival/ gallery circuit for the past 15 years with their blend of bedroom pop, perverse animations and hopes for fame. Funny, touching and ambitious in scope, their work continues to deal with many contemporary themes: addiction, spirituality, identity, relationship dynamics and the ongoing quest for joy. “[Here] exists a kind of nakedness, a peeling away of propriety, a questioning of behavioural and social systems—and yet I find their work refreshingly playful and deeply generous.” — Deborah Stratman, University of Illinois at Chicago “Often working with the disconnects between human and animal—and their urge to reconcile the sterile mechanics of our world versus the intuitive viscerality we keep buried within—their dark sense of humour has yielded a slate of bizarre taxidermies, installations, videos and sculpture, all tinged with a gutsy, mystical longing that’s sweet, sinister, hilarious and disturbing all at once.” — Murray Whyte, Toronto star