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Bad Ideas For Paradise (The Beauty Never Ends: Emily Vey Duke and Cooper Battersby)

Cooper Battersby | Emily Vey Duke | Canada | 2002 | 20min | Original version without dialogue

 
 
Box office13 oct. 19:00Session 82

Centre PHI Espace B

407, rue Saint-Pierre, coin Saint-Paul, Vieux-Montréal

Synopsis :

Steve Reinke on Bad Ideas for Paradise: "There is no such thing as self-esteem. Self-esteem as a construct is illogical and contradictory, so its frequent deployment as the lynch-pin of New Age discourse seems to me satisfyingly appropriate. I don't trust anyone who doesn&139; have frequent bouts of self-loathing. There is something truly monstrous about the self-righteous. Eating a well-balanced diet is a horrible act of aggression. Whenever I hear the word "culture" I think of bacteria mutating under an ultraviolet light and I'm happy again for a while. Within the petri dish: unfettered egoless desire, the proliferation of new possibilities ideas made flesh, uncaring and finally airborne. Empathy is a tool for making the cruelty more precise. Beauty is independent of taste; the sublime only works for suckers. Whenever I laugh I feel guilty." Bad Ideas for Paradise is a 20-minute episodic videotape. Funny, touching and ambitious in scope, Bad Ideas continues to deal with many of the themes addressed in Duke and Battersby's earlier works: addiction, spirituality, identity, relationship dynamics and the ongoing quest for joy.

The Beauty Never Ends: Emily Vey Duke and Cooper Battersby (4 films)

A PROGRAM OF SHORT MOVIES BY EMILY VEY DUKE AND COOPER BATTERSBY, CURATED BY MIKE HOOLBOOM At the occasion of the launching of the book The Beauty Is Relentless: The short movies of Emily Vey Duke and Cooper Battersby edited by Mike Hoolboom. The literary post-punk short films of Emily Vey Duke and Cooper Battersby have been tearing up the festival/ gallery circuit for the past 15 years with their blend of bedroom pop, perverse animations and hopes for fame. Funny, touching and ambitious in scope, their work continues to deal with many contemporary themes: addiction, spirituality, identity, relationship dynamics and the ongoing quest for joy. “[Here] exists a kind of nakedness, a peeling away of propriety, a questioning of behavioural and social systems—and yet I find their work refreshingly playful and deeply generous.” — Deborah Stratman, University of Illinois at Chicago “Often working with the disconnects between human and animal—and their urge to reconcile the sterile mechanics of our world versus the intuitive viscerality we keep buried within—their dark sense of humour has yielded a slate of bizarre taxidermies, installations, videos and sculpture, all tinged with a gutsy, mystical longing that’s sweet, sinister, hilarious and disturbing all at once.” — Murray Whyte, Toronto star